Art Basel Miami Beach 2025: Group Presentation

Ali-Akbar Sadeghi (b. 1937, Tehran) is a renowned visual artist who started painting at an early age. He graduated with a BA from the College of Fine Arts of the University of Tehran in 1969. He worked as a graphic designer (posters, book covers, packaging) for many years before joining the Center for the Intellectual Development of Children and Adolescents (CIDCA) in 1971. CIDCA was a thriving center for creative work, and Sadeghi directed his attention to making animations and illustrating books.

Inspired by the folk culture of Iran, his lively, spirited canvases and illustrations are where modern and ancient aesthetics coincide.

In 1991, at the 25th anniversary of CIDCA, Sadeghi was honored for his outstanding book illustration and filmmaking achievements. In 2009, the Iranian Ministry of Culture (Ershad) recognized Sadeghi as "an outstanding cultural figure and contributor to Iranian art and culture.” Ali-Akbar Sadeghi has held 12 solo exhibitions in Iran and worldwide, including "A Retrospective" in the Tehran Museum of Contemporary Art in 2018. His works have appeared in numerous group exhibitions since 1984. He participated in the Singapore Biennale (2019). Dastan Gallery showed two works of the artist in "Soft Edge of the Blade" at Frieze's No. 9 Cork Street in February 2022 and at all the three exhibitions of “Mosavarnameh” between 2015 and 2018. Drawings and paintings of Sadeghi are held by many art institutions, including the British Museum, the Los Angeles County Museum of Art, and the Tehran Museum of Contemporary Art.

Andisheh Avini (b. 1974, New York) is an artist who uses painting, drawing, printmaking, and sculpture, often incorporating the traditional craft of marquetry in his artistic practice.

Andisheh Avini explores the duality of his own identity by combining iconic images like Persian calligraphy, decorative motifs, and portraiture with occidental concepts of minimalism and abstraction. Avini's approach speaks to a larger globalized society of nomads, the displaced, and the wayfarer, reflecting a contemporary multicultural experience to which many can relate.

Iman Raad (b. 1979, Mashhad, Iran) is a Brooklyn-based visual artist, designer, and educator. He holds an MFA in Painting and Printmaking from Yale University, and is presently teaching at The Cooper Union School of Art.

Across his diverse work, Raad brings together a sweeping reimagining of traditional Persian painting amidst the interruption of images and narratives in the internet era. Oscillating between disparate areas of knowledge, Raad references a culture indexically rooted within his thoughts. Curiosity is given a place to breathe. Images are fractured or incomplete. Moments from different art histories are filtered into a language of comfort and contented longing, memories of a smell of a place far away; a repetition of imagery and color whose intention is to keep you in a disturbed reality.

In Raad's paintings, objects tumble and waver, provoked by swathes of restless birds. Deep tonal flourishes are augmented by a restless energy across his works–enhanced by a variety of techniques of depiction like the reverse painting on glass and the egg tempera. Through this prism of layers and colors, Raad has found a necessary platform to touch on both the complexities and beauty of cross cultural expression today.

Mamali Shafahi (b. 1982, Tehran) graduated with a BA in Photography from Tehran University of Art (2002) and studied at ENSAPC (École Nationale Supérieure d'Arts Paris). He is a filmmaker and video installation artist. 

His practice, varying from installation to sculpture and film, includes a deep fascination with the impact of emerging technologies on life and art. His early work in France at the Paris-Cergy School of Fine Arts focused on performance. He then produced several video installations investigating the relationship between past, present, future, and new technologies.

Fereydoun Ave (b. 1945, Tehran, Iran) is an influential figure in Iranian contemporary art. He received his BA in Applied Arts for Theatre from Arizona State University (1964), studied Film at New York University (1969), and attended the University of Seven Seas (aka Semester at Sea, 1964). Over the past five decades, he has taken on many roles as an artist, designer, art director, collector, curator, gallerist, and art patron.

The art of Fereydoun Ave is a freehanded engagement with a personal ethos informed by more prominent cultural influences. He ceaselessly reflects on his relationship with age, myths, plants, elements, seasons, moods, and heredity. He takes inspiration from the art of Iran, which tends to use the entire canvas surface, and the Western penchant for minimalism, which leaves large swaths unattended. Fereydoun Ave's joint projects with artists, galleries (including Dastan), and institutions are an integral part of his practice, reflecting his role as a curator, gallerist, and collector.