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Art Basel Hong Kong 2025: Group Presentation

Past viewing_room
25 - 30 March 2025
  • Art Basel hong Kong 2025

    March 26 - 30, 2025
  • Dastan is proud to announce its participation in Art Basel Hong Kong 2025, presenting a selection of works by Reza Aramesh, Pooya Aryanpour, Sepand Danesh, Bita Fayyazi, Farrokh Mahdavi, Meghdad Lorpour, Farah Ossouli, Asal Peirovi, and Morteza Pourhosseini, focusing on depictions of the body, its relationship with the environment. Each piece embodies a unique aesthetic, spanning a range of material and formal sensibilities –from the fragility and delicacy of weaving yarn, broken ceramics, and thrown-away objects in Bita Fayyazi’s work to the structured grandeur of Reza Aramesh’s figure and Pouya Aryanpour’s mirror-work sculpture. Moreover, the stunning effect of Farrokh Mahdavi’s portraits, the delicate miniature of Farah Ossouli, the ambiguous and deft painting by Morteza Pourhosseini, form and fiction in the work of Asal Peirovi, the elaborate painting installation of Meghdad Lorpour, and the renditions of figures in Sepand Danehs’s work create an environment and a conversation through movement, consonance, color and form.  

  • Reza Aramesh, Overview

    Reza Aramesh

    Overview

    Reza Aramesh was born in Iran and is based in London and New York. He holds a Masters degree in Fine Arts from Goldsmiths University, London. His work has been exhibited in both solo and group exhibitions such as in the occasion of the 60th Venice Biennale 2024, Italy 14 and 15 Bienal de la Habana, Asia Society Museum, New York, The Metropolitan Museum of Art Breuer, New York, Bowdoin College Museum of Art, Maine, SCAD Museum, Atlanta, Georgia, Akademie der Kunste, Berlin, the 56th Venice Biennale, Art Basel Parcours, Frieze Sculpture Park, London, Sculpture in the City, London, Armory Show Off-Site at Collect Pond Park, New York and at Maxxi Museum, Rome among others. Aramesh has orchestrated a number of performances and situations in such spaces as The Barbican Centre, Tate Britain and ICA, London. His works have entered public and private collections worldwide including Argentina, Germany, Lithuania, Poland, USA, Belgium, Israel, France, Iran, Lebanon, Italy and the U.K.Working in sculpture, drawing, embroidery, ceramics, video and performance in a succession of ‘actions’, Reza Aramesh draws inspiration from media coverage of international conflicts dating from the mid-20th century until present day. This coverage is then transformed into sculptural volumes in collaboration with non-professional models, who help him reenact his chosen source materials. No direct signs of war remain in the physical end results and the characters seem driven out of their initial contexts. Opposition between beauty and brutality allows the artist to unveil the absurdity and the futility of these actions. Aramesh de-contextualises these scenes of violence from their origins, exploring the narratives of representation and iconography of the subjected male body in the context of race, class and sexuality in order to create a critical conversation with the western art historical canon.

    Reza Aramesh CV
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    • Reza Aramesh, Action 408 PUL-E-CHARKHI Prison 8 October 2014 Progression #161, 2024
      Reza Aramesh, Action 408 PUL-E-CHARKHI Prison 8 October 2014 Progression #161, 2024
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    • Reza Aramesh, Action 435 Adala Prison 13 March 2016 Progression #188, 2024
      Reza Aramesh, Action 435 Adala Prison 13 March 2016 Progression #188, 2024
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    • Reza Aramesh, Action 442 Mogadishu Temporary Jail 21 February 2012 Progression #195, 2024
      Reza Aramesh, Action 442 Mogadishu Temporary Jail 21 February 2012 Progression #195, 2024
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  • Emroideries

    REZA ARAMESH

    Action 225: Study for yellow after Ludwig Deutsch ‘The Sahleb Vendor, Cairo’, 2023

    Embroidery on silk. 250 x 140 cm. Unique

    Emroideries

    In Study of Colour as Colonial Delight, Aramesh draws from the rich hues of historical Orientalist paintings, first interpreting them through reportage-based drawings before translating them into delicate hand-stitched embroidery on silk. Through this process, he explores the relationship between power, representation, and beauty, decontextualising colonial-era aesthetics in a contemporary framework.
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    Emroideries
  • Installation view of 10 Must-See Shows in Venice at the 60th Venice Biennale (Larger version of this image opens in a popup).
    Installation view of 10 Must-See Shows in Venice at the 60th Venice Biennale (Larger version of this image opens in a popup).
    Installation view of 10 Must-See Shows in Venice at the 60th Venice Biennale (Larger version of this image opens in a popup).
    Installation view of 10 Must-See Shows in Venice at the 60th Venice Biennale (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London a group presentation of works by Behjat Sadr, Mohsen Vaziri Moghaddam, Farah Ossouli, Reza Aramesh, Newsha Tavakolian, and Meghdad Lorpour.  Photo by Deniz Guzel (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London a group presentation of works by Behjat Sadr, Mohsen Vaziri Moghaddam, Farah Ossouli, Reza Aramesh, Newsha Tavakolian, and Meghdad Lorpour.  Photo by Deniz Guzel (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London a group presentation of works by Behjat Sadr, Mohsen Vaziri Moghaddam, Farah Ossouli, Reza Aramesh, Newsha Tavakolian, and Meghdad Lorpour.  Photo by Deniz Guzel (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London a group presentation of works by Behjat Sadr, Mohsen Vaziri Moghaddam, Farah Ossouli, Reza Aramesh, Newsha Tavakolian, and Meghdad Lorpour.  Photo by Deniz Guzel (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London 2024 (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London 2024 (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth at Frieze London 2024 (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth a group presentation at Art Dubai 2023  Photo By Alireza Fatehie (Larger version of this image opens in a popup).
    Installation view of Dastan's Booth a group presentation at Art Dubai 2023  Photo By Alireza Fatehie (Larger version of this image opens in a popup).

    Installation view of 10 Must-See Shows in Venice at the 60th Venice Biennale 

  • Pooya Aryanpour, Overview
    Pooya Aryanpour. Photo by Ashkan Zahraie

    Pooya Aryanpour

    Overview
    Pooya Aryanpour (b. 1971, Tehran, Iran) is an artist, art instructor, and university lecturer based in Tehran. He studied Painting at Azad University of Tehran, where he obtained his MA in 1999. He has curator shows over the past three decades.
    Pooya Aryanpour has made use of mirrors in his sculptures since the 2000s, a practice made popular by artist Monir Farmanfarmaian in the early 1970s. Aryanpour's studies of Qajar’s (19th-20th century) mirror works have given his work a reflective character. His work may be considered interactive and conceptual as some fleetingly reflect the images of their viewers. Large-sized sculptures are covered with tiny mirrors that change color with a shift in light or position, multiplying what they reflect. The plurality of images thus proliferated has a spiritual dimension – mirror works are used in places of worship throughout Iran. The multiplicity of images shatters the individual's ego to arrive at a devotional unity.
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  • Installation Viewof “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).

    Installation Viewof “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 

  • Sepand Danesh (b. 1984, Tehran, Iran) is a graduate of École Nationale Supérieure des Beaux-Arts in Paris, where he studied...
    ©Guillaume ARGENTO

    Sepand Danesh (b. 1984, Tehran, Iran) is a graduate of École Nationale Supérieure des Beaux-Arts in Paris, where he studied under Giuseppe Penone and Philippe Cognée. 

    Works of Sepand Danesh stand at the crossroad of art and technology. He looks at the world as if through a pixelated filter – elements and figures in his paintings are made of squares/cubes in a Euclidian geometry of surfaces. These paintings start in a corner of an empty space with no ceiling or floor. Suspended between perpendicular lines is a vertical shelf where various elements and figures make a show. He uses drawing, painting and workshops to burst ideas about the dynamic of the Hub. His paintings represent optical illusion of inside corner (as the metaphor of impediment) without floor or ceiling which shelter his intimate and also the world's wider memory.

  • Sepand Danesh, The Kiss, 2022
    Artworks

    Sepand Danesh

    The Kiss, 2022
    Acrylic on canvas
    110 x 90 cm
    43 1/2 x 35 1/2 in
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  • 1398 2019 Sepand Danesh Introduction To The Hub Dastan S Basement Installation View Lowres 02 503A0947 (Larger version of this image opens in a popup).
    1398 2019 Sepand Danesh Introduction To The Hub Dastan S Basement Installation View Lowres 03 503A0957 (Larger version of this image opens in a popup).
    1398 2019 Sepand Danesh Introduction To The Hub Dastan S Basement Installation View Lowres 05 503A0960 (Larger version of this image opens in a popup).
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    1398 2019 Sepand Danesh Introduction To The Hub Dastan S Basement Installation View Lowres 02 503A0947
  • Bita Fayyazi (b. 1962, Tehran) lives and works in Tehran. More than a sculptor, an installation artist, or a ceramicist...

    Bita Fayyazi (b. 1962, Tehran) lives and works in Tehran. More than a sculptor, an installation artist, or a ceramicist engaged in some mystic relationship with her material, Fayyazi is an artist who works within a more performative and markedly social practice.
    Fayyazi has been active in art for around 30 years. As her involvement in art developed, she became interested in teamwork and collaboration. She actively engages in collaborative and performative projects with artists and individuals with no artistic backgrounds. By embracing such interactions, she explores the power of shared creativity, fostering meaningful connections and broadening the boundaries of artistic expression. Throughout the years, working together with others has become an integral and cherished part of her practice. This approach has shown to be more valuable, often surpassing the outcome itself.


    Artist's CV
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  • Farrokh Mahdavi, Overview

    Farrokh Mahdavi

    Overview

    Farrokh Mahdavi (b. 1970, Tehran, Iran) taught himself painting before studying with master painters and cultivating his passion for the medium. He lives and works in Tehran.

    Canvases of Farrokh Mahdavi can be distinguished through unique pinkish hues. His technique aims to defamiliarize the well-known facial elements in a face. The fleshy-pink color of the artist's figures allows the rendering of "a more general depiction of human beings devoid of stereotypes of gender and race."  The faces in Mahdavi’s work are reduced to features like the eyes or the lips, and the rest are covered by thick layers of pink paint, hinting at the emotional world of his characters. He tries to specify forms and conditions without directly depicting anything additional, as he believes it deviates from the main point.

  • Farrokh Mahdavi, Untitled, 2022
    Artworks

    Farrokh Mahdavi

    Untitled, 2022
    Acrylic on canvas
    200 x 160 cm
    78 1/2 x 63 in
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  • Meghdad Lorpour

    Meghdad Lorpour

    Meghdad Lorpour (b. 1983, Shiraz, Iran) is a painter based in Tehran. He studied painting at Shahed University, Tehran (2010).
    Throughout his career, Meghdad’s subject matter has ranged from portraiture to landscape and still life, and his analytical approach to every aspect of his work has constantly evolved. He begins with a multi-layered phase of research, which includes deep dives into related literature, travel, documentation, and recording oral histories, and continues by exploring his recollections of the research process as sketches and experiments in technique and representation. After his early focus on portraiture, inspired by Persian mythology and Miniature Painting, Lorpour soon shifted towards looking at animals in their natural habitats, contextualizing them in his research on mythological history. More recently, he has focused on nature itself — landscapes and the different aspects of the natural environment. The artist has been meticulously looking at nature through certain points of view and sought to induce inner mythological layers to his settings while depicting natural scenery.
     
  • Meghdad Lorpour, Untitled, 2023
    Artworks

    Meghdad Lorpour

    Untitled, 2023
    Acrylic on Paper, Mounted on Artist's Papier-Mâché Frame, Papier-Mâché Pieces on Wooden Shelf

    76.5 x 84.5 x 4 cm (Painting and Frame)
    30 1/8 x 33 1/4 x 1 5/8 in (Painting and Frame)
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  • Installation view of works by Meghdad Lorpour at +2 Gallery. (Larger version of this image opens in a popup).
    Installation view of works by Meghdad Lorpour at +2 Gallery. (Larger version of this image opens in a popup).
    Installation view of works by Meghdad Lorpour at +2 Gallery. (Larger version of this image opens in a popup).
    Installation view of works by Meghdad Lorpour at +2 Gallery. (Larger version of this image opens in a popup).
    Installation view of works by Meghdad Lorpour at +2 Gallery. (Larger version of this image opens in a popup).
    06 Meghdad Lorpour Tangab 503A2266 (Larger version of this image opens in a popup).
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    Installation view of works by Meghdad Lorpour at +2 Gallery.

  • Farah Ossouli
    Artists

    Farah Ossouli

    Farah Ossouli (b. 1953, Zanjan, Iran) is a painter working and living in Tehran. She received her BA in Graphic Design from the University of Tehran, where she taught between 1972 and 1987. She founded DENA, a female art collective that has organized over 30 exhibitions since 2001. She is a member of the Society of Iranian Painters.
    Farah Ossouli achieved a unique fusion of techniques, materials, themes, and narrations during her forty-year career as an artist. She has been a pioneer in introducing contemporary themes and ideas into miniature painting. The latest collections of Farah Ossouli are based on classical European paintings (by Delacroix, Goya, David, Manet, Titan, Rembrandt, and Ingres, among others), chosen by the artist based on their historical and conceptual relevance vis-à-vis the manifestation of violence in our world today. By transforming the medium (Persian painting) and figures (female holding the torch), Farah Ossouli is presenting the viewer with a new way of looking at the events taking place around us.
    Farah Ossouli. Portfolio
  • Farah Ossouli, Silence (Khamooshi), 2016
    Artworks

    Farah Ossouli

    Silence (Khamooshi), 2016
    Gouache on Arche paper
    50 x 50 cm
    19 1/2 x 19 1/2 in
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  • INSTALLATION VIEWS

    Installation view of Dastan's presentation at Abu Dhabi Art 2023 (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Abu Dhabi Art 2023 (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Abu Dhabi Art 2023 (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Abu Dhabi Art 2023 (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Frieze No 9 Cork Street 2023  Photo By Deniz Guzel (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Art Dubai 2024 (Larger version of this image opens in a popup).
    Installation view of Dastan's presentation at Art Dubai 2024 (Larger version of this image opens in a popup).
    Installation view of Zaal's presentation at Art Toronto 2023 (Larger version of this image opens in a popup).
    Installation view of Zaal's presentation at Art Toronto 2023 (Larger version of this image opens in a popup).
    Installation view of Zaal's presentation at Art Toronto 2023 (Larger version of this image opens in a popup).

    Installation view of Dastan's presentation at Abu Dhabi Art 2023

  • Asal Peirovi (b. 1985, Sari, Mazandaran Province, Iran) is a graduate of Painting from Shahed University (BA, 2009) and Tehran Art University (MA, 2014). 

    In her work, Asal Peirovi uses various techniques and focuses on themes such as memory, travel, scenography, architecture, and nature. Her signature is the distinct handling of materials and experimentations with architectural elements inside the logic of perspective. Another trademark in her works is that she often works on unprimed and unstretched canvases. The paintings of Asal Peirovi are a combination of study and improvisation in which the artist’s creation of visual texture on fabric resembles the unpredictable behavior of nature. This allows her to use it as a context to add different layers of architectural elements opposing nature’s unpredictability. These architectural elements, inspired by Perso-Islamic historic structures, are depicted in the color palette and the perspective techniques of traditional Persian painting, invoking many elusive references that express the diversity that informs Asal Peirovi’s visual perception.

    • Asal Peirovi, Untitled, 2024
      Asal Peirovi, Untitled, 2024
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    • Asal Peirovi, Untitled, 2024
      Asal Peirovi, Untitled, 2024
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  • Morteza Pourhosseini (b. 1985, Ahvaz, Khuzestan Province, Iran) received his BA in Painting from Shahed University of Art (2010).   Works of the artist in "In-between" framed his contemporary characters within the tradition of religious iconography of northern Europe. Their covered eyes, gazes that were lowered or beheld the horizon, their pliant bodies, pointed to an incident – an incident that has taken place and whose consequences were yet to come to light. "In-Between" seems to emphasize this sense of being on the threshold, "They are just one step from the Fall and the faceless figures are only observers."
  • Morteza Pourhosseini, Untitled, 2025
    Artworks

    Morteza Pourhosseini

    Untitled, 2025
    Oil on canvas
    180 x 300 cm
    71 x 118 in
    Enquire
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  • 1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 02 Morteza Pourhosseini2 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 07 Morteza Pourhosseini7 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 08 Morteza Pourhosseini8 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 01 Morteza Pourhosseini1 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 05 Morteza Pourhosseini5 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 03 Morteza Pourhosseini3 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 09 Morteza Pourhosseini9 (Larger version of this image opens in a popup).
    1400 2021 Morteza Pourhosseini In Between 2 Installation View Lowres 02 Morteza Pourhosseini2
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