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The Armory Show 2025: Group Presentation

Current viewing_room
27 August - 7 September 2025
  • The Armory Show 2025

    Iman Raad - Nicky Nodjoumi - Pooya Aryanpour - Mahsa Merci
  • At the Armory Show 2025, Dastan presents works by Nicky Nodjoumi (b. 1942), Pooya Aryanpour (b. 1971), Iman Raad (b. 1979), and Mahsa Merci (b. 1990). The presentation reflects on repetition and the lingering unease that arises from cycles of return and recurrence. 
    Iman Raad’s works feature faces shown in repeated sequences. This repetition creates a mix of familiarity and unease, suggesting that beauty can also carry a sense of disturbance when forms return with unsettling persistence. Nicky Nodjoumi reflects on power, history, and the repetition of human conflicts. His works present fragmented yet insistent imagery, recalling cycles of authority and resistance, and creating an atmosphere of quiet but unrelenting disquiet. 
    Mahsa Merci engages with portraiture through dense, impasto-like oil touches, where repetition lies in the very technique of layering paint. Her figures emerge with a deliberately uneven surface, their skin marked by an unsettling texture that resists smoothness. Often depicted in makeup or drag, they seem to move beyond conventional ideals of beauty, evoking instead a charged atmosphere. 
    Pooya Aryanpour’s sculptural work introduces a spatial dimension to repetition, where reflective surfaces and elongated forms establish an environment of both allure and unease. His approach embodies the psychological weight of recurrence as a formal and emotional condition. 
  • Pooya Aryanpour (b. 1971, Tehran, Iran) is an artist, art instructor, and university lecturer based in Tehran. He studied Painting...

    Pooya Aryanpour (b. 1971, Tehran, Iran) is an artist, art instructor, and university lecturer based in Tehran. He studied Painting at Azad University of Tehran, where he obtained his M.A. in 1999. He has been an active artist, instructor, and curator over the past three decades.

     

    Since the 2000s, Pooya Aryanpour has made use of mirrors in his sculptures, a practice made popular by artist Monir Farmanfarmaian in the early 1970s. Aryanpour's studies of Qajar's (19th-20th centuries) mirror works have given his work a reflective character. His works can also be considered interactive and conceptual as they fleetingly reflect the image of their viewers. Large size sculptures are covered with tiny mirrors that change color with a shift in lighting, multiplying what they reflect. The plurality of images thus reflected has a spiritual dimension – mirror works are used in places of worship throughout Iran. The multiplicity of images shatters the individual's ego to arrive at a devotional unity. Aryanpour has been created from many materials and in abstract form in widely different sizes.

     

    His work has been extensively exhibited, both in Iran and at international biennials, gallery shows, art fairs, and institutional exhibitions, namely the sculpture biennial in Tehran Museum of Contemporary Art (2017), Sophia Contemporary Gallery (London, 2016), and "Gone with the Wind" (Kahrizad Sugar Factory, Tehran, 2022).

  • Pooya Aryanpour, From "Fruit of Elysian" Series, 2024
    Artworks

    Pooya Aryanpour

    From "Fruit of Elysian" Series, 2024
    Kiln-fired dyed glass, mirror fragment and plaster on fiberglass structure with styrofoam core
    143 x 38 x 34 cm
    56 1/2 x 15 x 13 1/2 in
  • Installation Viewof “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).
    Installation View of “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 (Larger version of this image opens in a popup).

    Installation Viewof “Gone with the Wind” Pooya Aryanpour’s solo exhibition at the Defunct Kahrizak Sugar Factory, 2022 

  • Mahsa Merci (b. 1990 Tehran, Iran) is a multidisciplinary artist based in Canada. She obtained her BA in Graphic Design...
    Mahsa Merci (b. 1990 Tehran, Iran) is a multidisciplinary artist based in Canada. She obtained her BA in Graphic Design from Tehran University of Art (2009), her MA in Painting from the Azad University of Tehran (2014), and her MFA from the University of Manitoba in Canada (2019).
    Mahsa Merci works across various media – painting, drawing, sculpture, photography, installation, and video – "reflect on marginal identities. In her landscapes, still lives, and portraits, she goes beyond the "Norm," as one of her untitled paintings reads, to bring forth direct sensual and tactile experience. The grotesque ("X Is Y," "Be Careful, Everything Is Dangerous Here," "Visa Versa," "The Frozen Womb," "The Grudge"), the obscene ("Hairy Triangle," "The Lustful River," "Let Me Grow" series, "Help"), and the bodily ("She," "Half-naked," "Let Me Grow," "Touch Me," "Frozen Hands," "I Feel") play a central role in her work. Her art finds people not often represented in society, especially her experiences as an Iranian woman and a member of the LGBTQ community. She wants her art to manifest the diversity of identities coexisting within an individual and challenge how we think about beauty, texture, and gender.
    • Mahsa Merci, I Have Held a Yellow Needle for Six Years, 2024
      Mahsa Merci, I Have Held a Yellow Needle for Six Years, 2024
    • Mahsa Merci, Ambiguous Purple, 2025
      Mahsa Merci, Ambiguous Purple, 2025
    • Mahsa Merci, Burning the Shadow, 2024
      Mahsa Merci, Burning the Shadow, 2024
    • Mahsa Merci, I Am Carrying On, But I Can’t Forget , 2024
      Mahsa Merci, I Am Carrying On, But I Can’t Forget , 2024
    • Mahsa Merci, Let the Fire Decide, 2024
      Mahsa Merci, Let the Fire Decide, 2024
    • Mahsa Merci, Wet Light in Midnight (Artist’s Portrait), 2025
      Mahsa Merci, Wet Light in Midnight (Artist’s Portrait), 2025
  • 1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0344 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0365 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0371 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0380 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0344
  • Nicky Nodjoumi (b. 1942, Kermanshah, Iran), known also as Nicky Nodjumi, is an Iranian-born American painter. He honed his artistic...
    Nicky Nodjoumi (b. 1942, Kermanshah, Iran), known also as Nicky Nodjumi, is an Iranian-born American painter. He honed his artistic skills and gained recognition in his homeland before relocating to New York. Mr. Nodjoumi imitated Russian painters in his youth, shifted focus to landscape painting following a friend's suggestion, and, after completing high school, moved to Tehran to pursue a degree in Painting at the Faculty of Fine Arts. He currently lives and works in Brooklyn, New York.
    Nicky Nodjoumi, known for his large-scale figurative oil canvases, skillfully combines historical and phantasmagorical imagery with sharp political commentaries. His compositions are straightforward, precise, and expressive, often featuring disintegrated portraits, disguised faces, clowns, and animals. Using storytelling, he piles bodies and body parts irreverently, challenging the connection between art and politics. Nodjoumi's works, influenced by social and political incidents, evoke a sense of fragmented narratives and the absurdity of power. His art has gained a significant following both in Iran and internationally, reflecting his enduring critical approach over six decades of artistic activity.
    • Nicky Nodjoumi, Bewildered, 2023
      Nicky Nodjoumi, Bewildered, 2023
    • Nicky Nodjoumi, Inside Out, 2022
      Nicky Nodjoumi, Inside Out, 2022
  • 1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0344 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0352 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0365 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0369 (Larger version of this image opens in a popup).
    Zaal 4 E Eoct 2023 (Larger version of this image opens in a popup).
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    Ojm6972 (Larger version of this image opens in a popup).
    1403 2024 Art Toronto Group Presentation Zaal Art Gallery Art Fair Installation Views Dsc0344
  • Iman Raad

    Overview
    Iman Raad, Overview

    Iman Raad

    Overview

    Iman Raad (b. 1979, Mashhad, Iran) is a Brooklyn-based visual artist, designer, and educator. He holds an MFA in Painting and Printmaking from Yale University, and is presently teaching at The Cooper Union School of Art.

     

    Across his diverse work, Raad brings together a sweeping reimagining of traditional Persian painting amidst the interruption of images and narratives in the internet era. Oscillating between disparate areas of knowledge, Raad references a culture indexically rooted within his thoughts. Curiosity is given a place to breathe. Images are fractured or incomplete. Moments from different art histories are filtered into a language of comfort and contented longing, memories of a smell of a place far away; a repetition of imagery and color whose intention is to keep you in a disturbed reality.

     

    In Raad's paintings, objects tumble and waver, provoked by swathes of restless birds. Deep tonal flourishes are augmented by a restless energy across his works–enhanced by a variety of techniques of depiction like the reverse painting on glass and the egg tempera. Through this prism of layers and colors, Raad has found a necessary platform to touch on both the complexities and beauty of cross cultural expression today.

     

    Iman Raad CV
    • Iman Raad, Among the Palette of Fear and Fire and Flower (A Rosa ‘Ispahan’ as Twilight Falls), 2025
      Iman Raad, Among the Palette of Fear and Fire and Flower (A Rosa ‘Ispahan’ as Twilight Falls), 2025
    • Iman Raad, Fear Is No Mute, Neither Is Flower (A Foreign Pink Flower), 2025
      Iman Raad, Fear Is No Mute, Neither Is Flower (A Foreign Pink Flower), 2025
    • Iman Raad, Fear Is No Mute, Neither Is Flower (A Strange Yellow Rose), 2025
      Iman Raad, Fear Is No Mute, Neither Is Flower (A Strange Yellow Rose), 2025
  • Installation view of Dastan’s Booth at the Armory Show 2022 a duo presentation of recent works by Andisheh Avini and Iman Raad (Larger version of this image opens in a popup).
    Installation view of Dastan’s Booth at the Armory Show 2022 a duo presentation of recent works by Andisheh Avini and Iman Raad (Larger version of this image opens in a popup).
    Installation view of Dastan’s Booth at the Armory Show 2022 a duo presentation of recent works by Andisheh Avini and Iman Raad (Larger version of this image opens in a popup).
    Installation view of Dastan’s Booth at the Armory Show 2022 a duo presentation of recent works by Andisheh Avini and Iman Raad (Larger version of this image opens in a popup).

    Installation view of Dastan’s Booth at the Armory Show 2022 

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