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Art Toronto 2024 : Group Presentation

Past viewing_room
16 - 27 October 2024
  • Art Toronto 2024

  • ​​At Booth A13, Zaal Art Gallery features a group presentation of works by Sirak Melkonian (1931-2024), Parviz Tanavoli (b. 1937), Farah Ossouli (b. 1953), Mohammad Piryaee (b. 1985), Yousha Bashir (b. 1989), and Mahsa Merci (b. 1990).  This marks the gallery's second presence at the fair. Art Toronto will be open to public viewing at The Metro Toronto Convention Center from the 24th to the 27th of October, 2024.

  • Sirak Melkonian (1930 - 2024) was a self-taught Iranian-Armenian artist and a painter of abstract landscapes who resided in Toronto,...

    Sirak Melkonian (1930 - 2024) was a self-taught Iranian-Armenian artist and a painter of abstract landscapes who resided in Toronto, Canada. At the age of fifteen, he participated in the group painting exhibition of the Armenian Cultural Association called "Mshakuyt" and then, in 1950, he attended the annual exhibition of the Iran-USSR Society, Tehran.

     

    Melkonian worked closely with Marco Grigorian and got to know the art nouveau movement through the magazines and newspapers that Marco sent from Italy. In his early figurative paintings, Melkonian, used social issues, people's life, and folk traditions in an expressionistic format as the basis of his works. In the course of his activity, the tendency towards abstraction became more colorful in his works, and the line became the main element. Over a long period, the landscape became the main subject of his work. Creating regular networks of lines in the background with gray, black, brown, green, and shell colors creates an abstract space, evoking Melkonian's perception of nature.

     

     

  • Sirak Melkonian, Untitled, 2022
    Artworks

    Sirak Melkonian

    Untitled, 2022
    Acrylic on canvas
    Diptych
    91.4 x 182.9 cm
    36 x 72 in
    • Sirak Melkonian, Untitled from "Sand to Snow" series, 2022
      Sirak Melkonian, Untitled from "Sand to Snow" series, 2022
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    • Sirak Melkonian, Untitled from "Sand to Snow" series, 2022
      Sirak Melkonian, Untitled from "Sand to Snow" series, 2022
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    • Sirak Melkonian, Untitled from "Sand to Snow" series, 2020
      Sirak Melkonian, Untitled from "Sand to Snow" series, 2020
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    • Sirak Melkonian, Untitled from "Sand to Snow" series, 2020
      Sirak Melkonian, Untitled from "Sand to Snow" series, 2020
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  • Parviz Tanavoli was born in Tehran in 1937. Upon graduating from the Brera Academy of Milan in 1959, he taught...
    Parviz Tanavoli was born in Tehran in 1937. Upon graduating from the Brera Academy of Milan in 1959, he taught sculpting at the Tehran College of Decorative Arts, and from 1961 - 1963 he thought at the Minneapolis College of Art and Design. He then returned to Iran and assumed the head of sculpting department at the University of Tehran, a position he held for 18 years until 1979, when he retired from his teaching duties.
    Since 1989 he has lived and worked both in Tehran and Vancouver, Canada. His latest solo exhibition was in 2019 at the West Vancouver Art Museum entitled "Oh Nightingale". Prior to that, he had another solo exhibition in 2017 at the Tehran Museum of Contemporary Art based on his Lions works and Lion collection.
  • About the Film
    Parviz Tanavoli is Iran's greatest living sculptor. As a guardian of ancient traditions and innovator of new forms of artistic expression, Tanavoli's contribution to the modern art movement of the Middle East is without equal. He is also the most important internationally recognized modern sculptor to ever call Canada home. "Parviz Tanavoli: Poetry in Bronze" tells the remarkable story of this esteemed artist's fascinating journey of creation that has spanned three continents and more than half a century.
    The documentry features exclusive interviews with Tanavoli and leading figures in the international art world. Together they illuminate the emergence and rise of this extraordinary artist who continues creating artistic masterpieces to this day.
    • Parviz Tanavoli, Falling Heech, 2007
      Parviz Tanavoli, Falling Heech, 2007
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    • Parviz Tanavoli, Two Birds, 1975
      Parviz Tanavoli, Two Birds, 1975
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  • Nicky Nodjoumi (b. 1942, Kermanshah, Iran), known also as Nicky Nodjumi, is an Iranian-born American painter. He honed his artistic...
    Nicky Nodjoumi (b. 1942, Kermanshah, Iran), known also as Nicky Nodjumi, is an Iranian-born American painter. He honed his artistic skills and gained recognition in his homeland before relocating to New York. Mr. Nodjoumi imitated Russian painters in his youth, shifted focus to landscape painting following a friend's suggestion, and, after completing high school, moved to Tehran to pursue a degree in Painting at the Faculty of Fine Arts. He currently lives and works in Brooklyn, New York.
    Nicky Nodjoumi, known for his large-scale figurative oil canvases, skillfully combines historical and phantasmagorical imagery with sharp political commentaries. His compositions are straightforward, precise, and expressive, often featuring disintegrated portraits, disguised faces, clowns, and animals. Using storytelling, he piles bodies and body parts irreverently, challenging the connection between art and politics. Nodjoumi's works, influenced by social and political incidents, evoke a sense of fragmented narratives and the absurdity of power. His art has gained a significant following both in Iran and internationally, reflecting his enduring critical approach over six decades of artistic activity.
  • Nicky Nodjoumi, Flying High Flying Low, 2021
    Artworks

    Nicky Nodjoumi

    Flying High Flying Low, 2021
    In Flying High, Flying Low (2021), Nicky Nodjoumi presents a male figure in a suit, crouched slightly, with his head lowered, gazing at a plant sprouting from the ground. The plant, an abstract formation of dots and lines, grows from a small hole, inviting interpretation as something fragile or nascent amidst the otherwise solid figure and the more realistically represented background. The work combines Nodjoumi’s signature use of political symbolism with a touch of absurdity, as the suited figure—likely a representation of power or authority—inspects this odd growth with curiosity or concern.
    Nodjoumi is known for his sharp political commentary, often using the human figure as a vehicle to explore the dynamics of power, social conflict, and absurdity. His work frequently juxtaposes everyday, recognizable figures with strange or fantastical elements, creating scenes that feel both familiar and unsettling.  The piece’s title hints at a duality or contrast between soaring ambitions and grounded reality, reflecting the tension Nodjoumi often explores in his work—between the power structures seen on the surface and the underlying, often absurd or fragile, truths beneath them.  This juxtaposition is a hallmark of Nodjoumi’s visual language, where figures of power are often depicted in disjointed, fragmented, or surreal contexts, challenging the viewer to question the stability of these structures.
  • Yousha Bashir (b. 1989) is an Iranian post-digital artist currently active in his hometown of Tehran. He studied Visual Arts...

    Yousha Bashir (b. 1989) is an Iranian post-digital artist currently active in his hometown of Tehran. He studied Visual Arts at Farhangian University (2011). Bashir works across media to create paintings, sculptures, and installation pieces.

    Yousha Bashir is a dynamic artist whose work has undergone significant changes in style and output. His landscape series (Inner Landscapes, Outer Landscapes, Ultimate Landscapes, The Infinite Continuum) and his self-portraits are relational studies of form with the frame (the viewers' perception) and the space surrounding the frame. He thus challenges the painting’s solid framework by exploring the relationship between the digital realm and the physicality of painting. His vibrant and luminous imagery question the definition of the creative space and the creative loci in the digital age and computer graphics. The self and how it is separated from the real world is one of the central explorations throughout his works. With the loss of image clarity in the process of a digital translation, he arrives at frames that open to a new two-dimensional world defined by restrictions and opportunities each possesses.

    Bashir has held six solo exhibitions, including his latest, "The Infinite Continuum" (Parallel Circuit, October-November 2021), and participated in more than 30 exhibitions, including at the Frieze Los Angeles (2022) as well as Art Dubai (2020 and 2021) with Dastan's Basement.

    • Yousha Bashir, Untitled from "Infinite Horizons" series, 2024
      Yousha Bashir, Untitled from "Infinite Horizons" series, 2024
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  • Mahsa Merci (b. 1990 Tehran, Iran) is a multidisciplinary artist based in Canada. She obtained her BA in Graphic Design...
    Mahsa Merci (b. 1990 Tehran, Iran) is a multidisciplinary artist based in Canada. She obtained her BA in Graphic Design from Tehran University of Art (2009), her MA in Painting from the Azad University of Tehran (2014), and her MFA from the University of Manitoba in Canada (2019).
    Mahsa Merci works across various media – painting, drawing, sculpture, photography, installation, and video – "reflect on marginal identities. In her landscapes, still lives, and portraits, she goes beyond the "Norm," as one of her untitled paintings reads, to bring forth direct sensual and tactile experience. The grotesque ("X Is Y," "Be Careful, Everything Is Dangerous Here," "Visa Versa," "The Frozen Womb," "The Grudge"), the obscene ("Hairy Triangle," "The Lustful River," "Let Me Grow" series, "Help"), and the bodily ("She," "Half-naked," "Let Me Grow," "Touch Me," "Frozen Hands," "I Feel") play a central role in her work. Her art finds people not often represented in society, especially her experiences as an Iranian woman and a member of the LGBTQ community. She wants her art to manifest the diversity of identities coexisting within an individual and challenge how we think about beauty, texture, and gender.
  • Farah Ossouli
    Artists

    Farah Ossouli

    Farah Ossouli (b. 1953, Zanjan, Iran) is a painter working and living in Tehran. She received her BA in Graphic Design from the University of Tehran, where she taught between 1972 and 1987. She founded DENA, a female art collective that has organized over 30 exhibitions since 2001. She is a member of the Society of Iranian Painters.
    Farah Ossouli achieved a unique fusion of techniques, materials, themes, and narrations during her forty-year career as an artist. She has been a pioneer in introducing contemporary themes and ideas into miniature painting. The latest collections of Farah Ossouli are based on classical European paintings (by Delacroix, Goya, David, Manet, Titan, Rembrandt, and Ingres, among others), chosen by the artist based on their historical and conceptual relevance vis-à-vis the manifestation of violence in our world today. By transforming the medium (Persian painting) and figures (female holding the torch), Farah Ossouli is presenting the viewer with a new way of looking at the events taking place around us.
    Farah Ossouli. Portfolio
  • Farah Ossouli’s work Nazanin (2023) fits within her signature style of blending Persian miniature aesthetics with contemporary themes, particularly around...
    Farah Ossouli’s work Nazanin (2023) fits within her signature style of blending Persian miniature aesthetics with contemporary themes, particularly around violence and the hidden narratives of women's experiences. The piece depicts a decapitated female head alongside a still life of fruit and a wine bottle, all composed in a serene miniature style. Despite the violent subject matter, the imagery is not graphically explicit, and at first glance, the severed head appears seamlessly integrated into the still life. The contrast between the peaceful composition and the underlying violence reflects Ossouli's artistic approach of drawing viewers into serene, intricate visuals only to confront them with unsettling truths.
    Ossouli has discussed her portrayal of violence in works like those in her Wounded Virtue series, where she uses the beauty and tranquility of miniature painting to attract viewers, only for them to discover the disconcerting themes beneath the surface. She often integrates poetry and traditional Persian design elements like tazhib (illuminations), combined with contemporary elements, to express the tension between appearance and reality. Her use of miniature figures and detailed patterns allows her to address universal themes such as war, gender, and political conflict through subtle but poignant visual storytelling.
  • Andisheh Avini (b. 1974, New York) is an artist who uses painting, drawing, printmaking, and sculpture, often incorporating the traditional...
    Andisheh Avini (b. 1974, New York) is an artist who uses painting, drawing, printmaking, and sculpture, often incorporating the traditional craft of marquetry in his artistic practice.
    Andisheh Avini explores the duality of his own identity by combining iconic images like Persian calligraphy, decorative motifs, and portraiture with occidental concepts of minimalism and abstraction. Avini's approach speaks to a larger globalized society of nomads, the displaced, and the wayfarer, reflecting a contemporary multicultural experience to which many can relate.
    • Andisheh Avini, Untitled, 2019
      Andisheh Avini, Untitled, 2019
    • Andisheh Avini, Untitled, 2019
      Andisheh Avini, Untitled, 2019
    • Andisheh Avini, Untitled, 2019
      Andisheh Avini, Untitled, 2019
  • Mohammad Piryaee
    Artists

    Mohammad Piryaee

    Mohammad Piryayee (b. 1985, Qom, Iran) is a Tehran-based artist whose works are born on paper. He received his MA in painting at Tehran University of Art in 2010 and his BA in Handicrafts from Kashan University in 2007.
    His drawings and printmaking are semi-abstract forms, often intimating such genres as still life or interior painting. Each of these 2D drawings can potentially shape-shift into 3D. Sculptures of Mohammad Pirayee are abstracted architectural forms created with materials such as ceramic, scorched wood, and resin, often hinting at Persian/Islamic architecture.
  • Mohammad Piriyayee: Untitled In Untitled (2022), Piryaee transforms ceramics into a mysterious, almost surreal form that at first glance seems...
    Mohammad Piriyayee: Untitled
    In Untitled (2022), Piryaee transforms ceramics into a mysterious, almost surreal form that at first glance seems to be charred wood. This illusionary quality echoes the artist’s broader theme of exploring unattainable realms. 
    Exhibited as part of his Behind the Seas solo exhibition at +2 Gallery, the sculpture connects to Piryaee’s ongoing engagement with Sohrab Sepehri’s poetic visions. The textured surface and organic shape evoke natural elements, alluding to boats and waves—symbols central to the exhibition’s narrative of utopia and the unreachable.
    This work, like others in the series, references Sepehri’s exploration of a utopian city from his “Eight Books.” By crafting objects that appear simultaneously ancient and otherworldly, Piryaee deepens the emotional layers of the piece, reflecting his journey with grief and the illusory nature of idealized spaces. The material, typically fragile and malleable, becomes a significant metaphor for resilience and transformation, resonating with the viewer’s contemplation of what is real and imagined.
  • Art Toronto 2023

    Art Toronto 2023 Booth: A10 Preview Date: 26 October, 2023 Date: 26-29 October, 2023 Location : Toronto Address: Metro Toronto Convention Centre, North Building, 255 Front Street West, Toronto
  • Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).
    Installation View of Zall's Booth at Art Toronto 2023.  Toronto,Canada (Larger version of this image opens in a popup).

    Installation View of Zall's Booth at Art Toronto 2023.

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