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Pooya Aryanpour & Farrokh Mahdavi: Art021 Hong Kong

Past exhibition
29 August - 1 September 2024 Art Fairs
  • Overview
  • Works
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Overview
Pooya Aryanpour & Farrokh Mahdavi, Art021 Hong Kong

A duo presentation of works by Pooya Aryanpour & Farrokh Mahdavi

Booth: 3F-13

Date: August 29 - September 1, 2024
Preview: August 29 - 30, 2024
Location: Hong Kong, China
Address: Phillips Asia headquarters in the WKCDA Tower, Cultural District, 8 Austin Rd W, West Kowloon, Hong Kong

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Works
Open a larger version of the following image in a popup: Pooya Aryanpour, Elysian Fruit 7, 2022
Open a larger version of the following image in a popup: Farrokh Mahdavi, Untitled, 2019
Open a larger version of the following image in a popup: Farrokh Mahdavi, Untitled, 2019
  • Pooya Aryanpour, Elysian Fruit 7, 2022
  • Farrokh Mahdavi, Untitled, 2019
  • Farrokh Mahdavi, Untitled, 2019
Pooya Aryanpour, Elysian Fruit 7, 2022
News
  • Art021 Hong Kong: RADII Chats with Fair Director About a New Chapter in the City’s Art Scene

    Art021 Hong Kong: RADII Chats with Fair Director About a New Chapter in the City’s Art Scene

    RADII September 16, 2024
    Dastan Gallery's participation in Art021 Hong Kong was highlighted in an insightful piece by RADII, written by Sebastien Raybaud. The article delves into the significance...
    Read more
  • Art021 Launches in Hong Kong with a Promising New Art Fair

    Art021 Launches in Hong Kong with a Promising New Art Fair

    Artsy September 16, 2024
    Dastan Gallery was part of the inaugural Art021 Hong Kong, which launched in August 2024. An article on Artsy, by Hok Hang Cheung, describes the...
    Read more
  • What not to miss at Art021 Hong Kong

    What not to miss at Art021 Hong Kong

    Tatler Asia September 16, 2024
    Tatler Asia recently spotlighted Dastan Gallery at the debut of Art021 in Hong Kong. The gallery is showcasing Iranian artist Pooya Aryanpour’s striking mirror-based sculpture...
    Read more
Press release

At the debut edition of Art021 Hong Kong, Dastan presents work by Pooya Aryanpour (b. 1971) and Farrokh Mahdavi (b. 1970) at Booth 3F-13. The fair opens to the public on August 29 and will be on view until September 1, 2024 at Phillips Asia headquarters, WKCDA Tower.

 

Dastan’s presentation features a diptych sculpture by Pooya Aryanpour, two portraits by Farrokh Mahdavi, "Ground" (2019), directed by Alborz Kazemi, offering a glimpse into Mahdavi’s creative process within his studio, and “Gone with the Wind” (2021), a documentary film directed by Bahman Motamedian about Aryanpour’s eponymous 2021 exhibition. 

 

Pooya Aryanpour reimagines traditional Iranian mirror work (Ayineh-Kari), creating forms that blur the line between the representational and the abstract. His work draws on Iranian cultural traditions, symbolism, and folklore, producing reflections that play with light, lines, and forms to evoke a sensory experience. Aryanpour's exploration into the restoration of historical Iranian architecture deeply influences his work, leading him to craft intricate structures inspired by microscopic life, the human body, and natural forms. 

 

Initially trained in painting, Aryanpour incorporates his studies of natural elements and improvisational techniques into his mirror-work designs. His patterns draw from a wide range of sources, including his earlier paintings and the traditional art of Tazhib (illuminated manuscript), creating a rich, layered visual language that reflects both historical and contemporary influences.

 

Farrokh Mahdavi's work is immediately recognizable, marked by his distinctive use of pink hues and the recurring motifs of androgynous, ageless figures that transcend cultural and political divides. While seemingly repetitive, his portraits carry a deep resonance through the subtle shifts that occur over time. This repetition is not a mere replication but a deliberate exploration of the passage of time and the evolution of identity, form, figure and fate. Over the past decade, Mahdavi has been refining his "Shavings" series, where the repetition in his work reveals the nuanced transformations that have taken place –each iteration building upon the last, yet marked by a profound sense of change.

 

Despite the thick volumes of paint and the robust textures that characterize his canvases, Mahdavi’s creative process involves a delicate balance of construction and deconstruction. He is known for layering his works with dense applications of paint, but his process includes peeling away or destroying the layers of paint, only to rebuild them to reveal new dimensions and depths. This technique reflects a complex interplay between creation and destruction, embodying a dynamic tension central to his artistic vision.

 

Dastan extends its sincere gratitude to Vida Heydari and VHC Gallery in Pune, India, for their invaluable support and making this presentation possible.

Download Press Release

Related artists

  • Pooya Aryanpour

    Pooya Aryanpour

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