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Shadi Yasrebi | "A Shield To Hide Behind": Dastan's Basement

Past exhibition
4 - 18 February 2022 The Basement
  • Overview
  • Works
  • Installation Views
  • Press release
Overview
Shadi Yasrebi | 'A Shield To Hide Behind', Dastan's Basement

A solo presentation of works by Shadi Yasrebi at Dastan's Basement.

  • 3D Tour of the Exhibition
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Works
Open a larger version of the following image in a popup: Shadi Yasrebi, Closed Bazar, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Two Broken Mirrors, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Three Spot, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, The White Rabbit Behind the Wall, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, The Mihrab in Pond, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, The Faith Behind the Wall, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Snowballs on the Wall, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Pink Mosque, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Khal, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Golden Golden Wall, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Golden Golden Mountains, 2021
Open a larger version of the following image in a popup: Shadi Yasrebi, Closed Bazar, 2021
  • Shadi Yasrebi, Closed Bazar, 2021
  • Shadi Yasrebi, Two Broken Mirrors, 2021
  • Shadi Yasrebi, Three Spot, 2021
  • Shadi Yasrebi, The White Rabbit Behind the Wall, 2021
  • Shadi Yasrebi, The Mihrab in Pond, 2021
  • Shadi Yasrebi, The Faith Behind the Wall, 2021
  • Shadi Yasrebi, Snowballs on the Wall, 2021
  • Shadi Yasrebi, Pink Mosque, 2021
  • Shadi Yasrebi, Khal, 2021
  • Shadi Yasrebi, Golden Golden Wall, 2021
  • Shadi Yasrebi, Golden Golden Mountains, 2021
  • Shadi Yasrebi, Closed Bazar, 2021
Shadi Yasrebi, Closed Bazar, 2021
Installation Views
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 01 Shadi Yasrebi1
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 04 Shadi Yasrebi4
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 02 Shadi Yasrebi2
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 08 Shadi Yasrebi8
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 03 Shadi Yasrebi3
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 07 Shadi Yasrebi7
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 05 Shadi Yasrebi5
  • 1400 2022 Shadi Yasrebi A Shield To Hide Behind Dastan S Basement Installation View Lowres 09 Shadi Yasrebi9
Press release

Dastan’s Basement plays host to “A Shield To Hide Behind” by Shadi Yasrebi, starting on Friday, February 4, 2022. The exhibition is Shadi Yasrebi’s first collaboration with Dastan’s Basement at her third solo exhibition. The exhibition will be on view until Friday, February 18.

In this exhibition,by taking influence from Islamic Architecture, the artist is using elements like domes and arches – which she metaphorically calls “sanctuary” – to present an “unsafe” image of the urban environment. Yasrebi scrapes the surface of cardboard pieces to create her works and offers it as a mundane reminder to viewers. Elements of Islamic Architecture interact with their real geometric forms in an abstract realm. Simplified, from each cardboard piece a geometric form emerges and is riveted to another. Yasrebi arrives at an impressionable surface from the ideals of Islamic aesthetics, which insist on its materiality through injury and deformity. In other words, in her artistic practice, the artist brings allegorical images down to earth. The cardboard is scratched, sometimes poked, in a primitive and willful way to leave signs on the body of the city. These visual elements appear next to each other in relative equilibrium and, ultimately, against a seemingly profound reality, the memory of the city is etched on the surface of the cardboard. Every scratch or perforation is a peeping hole into another layer of the cardboard as if each injury is narrating its destiny.

Shadi Yasrebi (b. 1989) is a graduate of Graphic Design from Azad University. She lives and works in Tehran. She held her first solo exhibition, “Akhal’, at Nak Gallery (2018, Tehran) and has participated in group exhibitions, such as “Who Am I?” at Mayten’s Project (2022, Toronto). This exhibition is her third solo.

 

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