Dastan Gallery
Skip to main content
  • Menu
  • Home
  • Artists
  • Exhibitions
  • News
  • Publications
  • Video
  • Contact

Iman Raad | Frieze New York 2020: Dastan's Basement

Past exhibition
8 - 15 May 2020 Art Fairs
  • Virtual Exhibition
  • Overview
  • Works
  • Installation Views
  • News
  • Press release
Virtual Exhibition
Overview
Iman Raad | Frieze New York 2020, Dastan's Basement

"In Her Sweetest, Saddest Plight", a solo presentation of recent works by Iman Raad. Opening May 8-15 with a Preview May 6-7, more than 200 galleries will present major works by established and emerging artists in a virtual gallery space as part of the Frieze New York edition.

Share
  • Facebook
  • Twitter
  • Pinterest
  • Tumblr
  • Email
Download Press Release
Works
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic on Unprimed Canvas Stretched on Aluminum Bars
    247 x 125 cm
    97 1/4 x 49 1/4 in
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic on Unprimed Canvas Stretched on Aluminum Bars
    247 x 125 cm
    97 1/4 x 49 1/4 in
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic on Unprimed Canvas Stretched on Aluminum Bars
    247 x 125 cm
    97 1/4 x 49 1/4 in
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic on Unprimed Canvas Stretched on Aluminum Bars
    247 x 125 cm
    97 1/4 x 49 1/4 in
  • Iman Raad Untitled, 2018
    Iman Raad
    Untitled, 2018
    View Detail Page
    Iman Raad
    Untitled, 2018
    Acrylic Gouache on Tempered Glass, Marbled Paper, Book Folio, Aluminum Foil, Acrylic on Wooden Frame and Fringe trim
    73.7 x 48.3 cm
    29 x 19 in
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic Gouache on Tempered Glass, Marbled Paper, Book Folio, Aluminum Foil, Acrylic on Wooden Frame and Fringe trim
    73.7 x 48.3 cm
    29 x 19 in
  • Iman Raad Untitled, 2020
    Iman Raad
    Untitled, 2020
    View Detail Page
    Iman Raad
    Untitled, 2020
    Acrylic Gouache on Tempered Glass, Marbled Paper, Book Folio, Aluminum Foil, Acrylic on Wooden Frame and Fringe trim
    48.3 x 73.7 cm
    19 x 29 in
  • Iman Raad Atlantic, 2018
    Iman Raad
    Atlantic, 2018
    View Detail Page
    Iman Raad
    Atlantic, 2018
    Acrylic on Unprimed Plywood
    243.8 x 121.9 cm (Vertical Diptych)
    96 x 48 in (Vertical Diptych
Installation Views
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 9
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 17
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 4
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 10
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 15
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 14
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 11
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 13
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 18
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 12
  • 1399 2020 Iman Raad Frieze Nyc Installation View Lowres 02 Rad15
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 8
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 1
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 2
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 3
  • Di Frieze Ny 2020 Iman Raad Installation View 9902 6
News
  • The 10 Best Booths at Frieze New York Online

    The 10 Best Booths at Frieze New York Online

    artsy Read more
Press release

Dastan is pleased to announce its participation at Frieze Online Viewing Room with a solo presentation of works by Iman Raad titled “In Her Sweetest, Saddest Plight”. The presentation features two main bodies of work: a series of large-scale acrylic paintings on canvas and a selection of reverse glass paintings, both presented for the first time.
Iman Raad (b. 1979, Mashhad, Iran) currently lives and works in New York City. He holds an
MFA in Painting and Printmaking from Yale University. He is a resident at the Queens Museum
Studio Program and an adjunct faculty at The Cooper Union School of Art. His artworks have
been exhibited at numerous international art venues and have been acquired by many renowned
collections, including the Museum of Contemporary Art Detroit (MOCAD), the Flag Art
Foundation (New York), Centro Cultural La Moneda (Santiago, Chile), Sargent's Daughters
Gallery (New York), The British Museum, Los Angeles County Museum of Art (LACMA), and
Allentown Art Museum. In 2018, his large-scale mural, Days of Bliss and Woe, together with the
embroidered banners of Garden Nights, were commissioned for 'The 9th Asia Pacific Triennial
of Contemporary Art' (Brisbane, Australia), with the former acquired for Queensland Art Gallery
and Gallery of Modern Art collection.
Iman Raad's prolific practice includes a variety of media from painting, drawing, and
embroidery, to graphic design and performance lectures. His works are imbued with influences
from Persian painting, Mughal painting, South-Asian truck painting, and digital glitch imagery.
He combines these local references with digital image culture and contemporary subject matter
to create his diverse works ranging from paintings on glass to mural-scale wall installations.
Using a vivid, high-key palette, altered perspective, and repetition, he creates a riot of colour and
movement that is both seductive and unsettling.
This presentation of Iman Raad's recent still-life paintings depicts combinations of oversized
objects. Be it a bird or a bowl, a flower or a fruit, each object seems to be enclosed within a
frame and trapped in domestic settings against a flattened background. The objects are mostly
depicted in contrasting tones and distorted perspectives, revealing the artist's background in
graphic design, his references to Persian Miniature, and his interest in popular prints and
backdrops.
The pieces in “In Her Sweetest, Saddest Plight” also feature Iman Raad's more recent approach
to representations of light and reflection. By placing objects alternately facing or against a
twilight background, the artist makes shadows disappear, once again highlighting flatness as a
dominant feature of his imagery. This aspect is also emphasized in his distinctive technique that employs thin layers of diluted acrylic paint on raw canvas, creating deftly punctuated tones of light across the picture's surface.

Download press release

Related artist

  • Iman Raad

    Iman Raad

Back to exhibitions
Copyright © 2021 Dastan Gallery
Sign Up to Dastan's Mailing List
Facebook, opens in a new tab.
Instagram, opens in a new tab.
Join the mailing list
Send an email