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Elnaz Ezati | "Electrocous": Electric Room 28/50

Past exhibition
23 - 28 February 2018 Electric Room
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Overview
Elnaz Ezati | 'Electrocous', Electric Room 28/50

An Installation by Elnaz Ezati

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Works
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Installation Views
  • Elnaz Ezati Electrocous Electric 03
  • Elnaz Ezati Electrocous Electric 04
  • Elnaz Ezati Electrocous Electric 01
  • Elnaz Ezati Electrocous Electric 05
News
  • "HORMOZ HEMATIAN & ASHKAN ZAHRAEI, Electric Room, art under high tension"

    "HORMOZ HEMATIAN & ASHKAN ZAHRAEI, Electric Room, art under high tension"

    Anahita's Eye December 11, 2018
    Anahita's Eye has recently published an interview with Hormoz Hematian and Ashkan Zahraei discussing the 50-project long program of Electric Room (in EN, FR, DE)....
    Read more
  • "Shifting Perspective from Art to Research"

    "Shifting Perspective from Art to Research"

    Tosee Irani October 21, 2018
    Tosee Irani have recently published an article by Alireza Bakhshi Ostowar on the Electric Room (in Farsi). Click here to read it in full.
    Read more
  • "Experimental Art Can Stand Independently"

    "Experimental Art Can Stand Independently"

    Honaronline October 14, 2018
    Honaronline have recently published an interview with Ashkan Zahraei discussing The Electric Room project (in Farsi). Click here to read it in full.
    Read more
Press release

Dastan is pleased to announce “Electrocous*”, a presentation by Elnaz Ezati at Electric Room. The show, which will be open to public view from February 23 to 28, 2018, is a fantasy based on a phantom-like presence in Electric Room: a cover has engulfed the room, and redefining its space, puts the viewer in an alternative setting. A large animal of the fish family is installed in the room, symbolically referring to the vastness of the sea.
The artist explains: “The word ‘electricity’ is rooted in ‘electricus’, the Greek name of a fish which can produce an electric shock. These types of electric catfish can hunt other fish, but if other types of fish hunt them, both the hunter and the electricus would die.”
The viewer can feel the phantom-like presence of Electrocous and its influence. The space, as the artist puts it, is a “scene of battle” and a place for “asking questions about the truth”. In this battle, “if the vastness of the sea kills Electrocous, they would both die, and if Electrocous hunts the vastness of the sea, it will survive —thus eventually, either way, Electrocous is the winner.”


* Electrocous is a play on the word “Electricus”

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