In a recent feature, NRW-ist-schön sheds light on Iranian artist Farah Ossouli and her current solo exhibition “Remember the Flight, the Bird Will Die” at the Max Ernst Museum Brühl des LVR. The article explores the influence of Forough Farrokhzad’s poetry – used by Ossouli as both poetic and feminist inspiration – well as the connection to Max Ernst’s surrealist collage novel Une semaine de bonté (1934).
The piece provides a thoughtful glimpse into the exhibition’s imagery and symbolism, and also includes background information about the artist’s biography and the cultural legacy of the museum itself.
For mor information, click here.
July 16, 2025
