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Mehdi Ghadyanloo | The Armory Show 2020

Past exhibition
5 - 8 March 2020 Art Fairs
  • Overview
  • Works
  • Installation Views
  • News
  • Press release
Overview
Photo by Sebastiano Pellion
Photo by Sebastiano Pellion

A solo presentation of recent works by Mehdi Ghadyanloo at booth P16, The Armory Show 2020

 

  • Mehdi Ghadyanloo's Website
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Works
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, The Joy Factory, 2020
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, Genealogy of Isolation (Seclusion), 2020
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, The Construction of Memory
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, The Dreaming Machine, 2020
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, The Stolen Dream, 2020
Open a larger version of the following image in a popup: Mehdi Ghadyanloo, Unpracticed Love, 2020
Open a larger version of the following image in a popup: Mehdi Ghadyanloo,
Open a larger version of the following image in a popup: Mehdi Ghadyanloo,
  • Mehdi Ghadyanloo, The Joy Factory, 2020
  • Mehdi Ghadyanloo, Genealogy of Isolation (Seclusion), 2020
  • Mehdi Ghadyanloo, The Construction of Memory
  • Mehdi Ghadyanloo, The Dreaming Machine, 2020
  • Mehdi Ghadyanloo, The Stolen Dream, 2020
  • Mehdi Ghadyanloo, Unpracticed Love, 2020
  • Mehdi Ghadyanloo,
  • Mehdi Ghadyanloo,
Mehdi Ghadyanloo, The Joy Factory, 2020
Installation Views
  • 1398 2020 Mehdi Ghadyanloo The Armory Show Installation View Highres 01 0G7A8374
  • 1398 2020 Mehdi Ghadyanloo The Armory Show Installation View Highres 02 0G7A8377
  • 1398 2020 Mehdi Ghadyanloo The Armory Show Installation View Highres 05 0G7A8387
  • 1398 2020 Mehdi Ghadyanloo The Armory Show Installation View Highres 04 0G7A8384
  • 1398 2020 Mehdi Ghadyanloo The Armory Show Installation View Highres 03 0G7A8381
News
  • ‘It Can Hit Us, But It Won’t Defeat Us’: Armory Show Proves Resilient in Face of Coronavirus Fears and Complications

    ‘It Can Hit Us, But It Won’t Defeat Us’: Armory Show Proves Resilient in Face of Coronavirus Fears and Complications

    ARTnews March 4, 2020
    ARTnews has recently published an article on this years Armory Show in which Dastan's Basement has a booth, with a solo presentation of works by...
    Read more
  • One Year After an Eleventh-Hour Relocation, the Armory Show Is Reshuffling—on Purpose—for 2020

    One Year After an Eleventh-Hour Relocation, the Armory Show Is Reshuffling—on Purpose—for 2020

    artnet December 12, 2019
    Artnet news has recently published an article on this year's Armory Show. Click here to read it in full.
    Read more
Press release

 

Dastan is pleased to announce its participation at the Armory Show with a presentation of works by Mehdi Ghadyanloo at Booth P16. The current presentation will consist of a series of works on canvas. 

Mehdi Ghadyanloo (b. 1981, Tehran, Iran) is a graduate of Painting (BA, University of Tehran, 2005) and Film Making (MA, Tarbiat Modares University, 2007), currently living and working in London, UK. He is one of Iran's most renowned public artists, best known for his more than 100 large scale trompe l'oeil-style gigantic murals. He is also the first Iranian artist to be commissioned in both Iran and the US after the revolution in 1979. In addition to his public art pieces, he makes paintings on canvas and uses print making techniques. He creates surreal images using limited visual elements, often exploring the contemporary life in Iran. Ghadyanloo's works have been exhibited at numerous international galleries, including Galleri Golsa, Oslo and Howard Griffin Gallery, London. In 2016, he completed a large mural for the Rose Kennedy Greenway project in Boston, US. His most recent public art project was a 186 square meter triptych painting titled "Finding Hope" that was shown at the World Economic Forum 2019 in Davos, Switzerland. 

While with his works, he presents an autobiographical view that portrays his personal childhood landscapes and recollections of Iran-Iraq war (1980-1988), he explores the contemporary life and his direct experience of the world he is living in. Ghadyanloo's most recent works show everyday objects such as a slide that he comes across to as he takes his kids to the local playground and explore the physical presence of reality. As the artist explains: "these works make reference to memories of living in small and dimly lit cubic rooms to which his family would find refuge during the war".

Ghadyanloo's trompe l'oeil style make these small cubic rooms come up as three-dimensional lifelike presentations of a carnivalesque scene, at first appearing as staged photography. While upon a second look, almost immediately, the painted reality is revealed through the presence of an uncanny element, an unlikely source of light or a recourse to the outside world of the room through an aperture. His realistic rendering techniques allows for what is normally separated to reunite; the coexistence of everyday physicality and dreamlike imagery.

The inside-out world of Ghadyanloo's paintings provide a dualistic presentation of unlikely elements confined together in a closed space, neatly framed but not completely sealed. These elements almost always include their opposites within themselves; lights are fraught with shadows, enclosures are unfettered by lines of flight, and fear is accompanied by hope. Hope in Ghadyanloo's paintings, interact with the "closed" matter-of-factness of the cubic rooms, surpassing their actuality and making room for future opportunities. As much as hope as a future-directed form of anticipation provides new forms of access to reality, Ghadyanloo's paintings are suggestive of new possibilities for active relation to a reality which is positively expectant of what is yet to come.

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    Mehdi Ghadyanloo

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