Reza Aramesh was born in Iran and is based in London and New York. He holds a Masters degree in Fine Arts from Goldsmiths University, London. His work has been exhibited in both solo and group exhibitions such as in the occasion of the 60th Venice Biennale 2024, Italy 14 and 15 Bienal de la Habana, Asia Society Museum, New York, The Metropolitan Museum of Art Breuer, New York, Bowdoin College Museum of Art, Maine, SCAD Museum, Atlanta, Georgia, Akademie der Kunste, Berlin, the 56th Venice Biennale, Art Basel Parcours, Frieze Sculpture Park, London, Sculpture in the City, London, Armory Show Off-Site at Collect Pond Park, New York and at Maxxi Museum, Rome among others. Aramesh has orchestrated a number of performances and situations in such spaces as The Barbican Centre, Tate Britain and ICA, London. His works have entered public and private collections worldwide including Argentina, Germany, Lithuania, Poland, USA, Belgium, Israel, France, Iran, Lebanon, Italy and the U.K.Working in sculpture, drawing, embroidery, ceramics, video and performance in a succession of ‘actions’, Reza Aramesh draws inspiration from media coverage of international conflicts dating from the mid-20th century until present day. This coverage is then transformed into sculptural volumes in collaboration with non-professional models, who help him reenact his chosen source materials. No direct signs of war remain in the physical end results and the characters seem driven out of their initial contexts. Opposition between beauty and brutality allows the artist to unveil the absurdity and the futility of these actions. Aramesh de-contextualises these scenes of violence from their origins, exploring the narratives of representation and iconography of the subjected male body in the context of race, class and sexuality in order to create a critical conversation with the western art historical canon.